Skip to main content

Week 11- Contemporary Literature

For this week, I decided on reading "Alice in Sunderland," an exploration of famous literature and how it relates to the numerous "wondrous" events that occurred at the city of Sunderland, in North East England. Specifically centering around the famous accomplished writer Lewis Carroll, this sort of biographical novel, sort of review of decades of literature is an interesting mix of art and writing styles. It explores the various connecting factors between the writer, Lewis Carroll and the Sunderland area, with wider themes of history, myth and storytelling. The greatest bulk of the story is told from an elderly “rabbit” performer in a near empty theatre, save one loudmouth youngster, who starts off very detached and jaded from his work and focused more on something as “mundane as age.” This relatively relatable, realistic setting as our basis for the story only furthers the imaginative themes discussed in the novel, and makes for a nice reliable background to go back to in between discussions. These kinds of comics as contemporary literature allow for a more visually sophisticated, (and very diverse representations) exploration of themes, and used very effectively by the writer and artist, Bryan Talbot. What could have been just another simple, (and let’s face it kind of boring) history and/or philosophy textbook recounting the accomplishments of other people is instead a recounting of epic storytelling and real-life human accomplishments; all while creating interesting art, imaginative literature, and producing memorable and engaging work that stands upon yet separate from the works discussed in the comic.  

Comments

Popular posts from this blog

Analysis of Shaun Tan's, "The Arrival"

Jarod Frank Analysis of Shaun Tan’s, “The Arrival.” Shaun Tan's, “The Arrival,” is a fantastic example of conveying narrative themes and complex character interactions without the use of dialogue. Through the emphasis on gestures, body positioning, and facial expressions, we are able to “fill in” to a great degree what we imagine the characters are conveying; regardless of anything literally being said. One such fantastic example of this is when the main immigrant man is trying to find an apartment, beginning by asking another man where it could be. We see the quizzical look he local man as he looks over the immigrant, who pulls out a drawing pad and draws a bed, pointing to it. Such a natural progression of actions, reactions and continued actions are the basics of human communication, not necessarily needing words to convey an experience we all are familiar with: questioning. While the situation is mundane, the comic being able to convey this series of emotions here and n...

Week 12- Women In Comics

For this week I read the surprisingly enjoyable and approachable visual novel, "Ms. Marvel," a modern take on a modern Marvel fan. It is made obvious numerous times that this is NOT the "actual" Ms. Marvel, or even any variant of the character in previous versions, (there is a quite enjoyable sequence in the first/second comic that shows her transforming into various previous variants of the character). The bulk of the story centers around Kamala Khan, a girl with strong heritage and close family ties that feels like a freak/outsider in nearly every scenario in her life. One of her most powerful lines of dialogue probably includes, "Why does everyone get to be normal but me." While not the most original story or concept, (the storyline of someone feeling alienated, lonely, or unsure of what to do with their powers has been seen many, many times a la Superman, Spiderman, etc) its defining characteristic is the execution of these aspects...

Week 13- Reconsidering the Superhero

The reinventing of superhero has been an almost routine process throughout the past few decades, from iconic symbols of ideals to relatable "every-men" to representations of diversity to psychological explorations, the "super" hero has been put through many a test to stand as its own archetype of a character. Still closely tied to their classical variants of the characters, modern superheroes often dip into both comedy and tragedy, while including moments of action and moments of stillness/tenseness. While one exploration of the superhero, “Crisis on Infinite Earths,” might be more closely associated with the explosive, over the top fantasy of the superhero persona, the gritty “realism,” and psychopathic ideology of “Arkham Asylum,” shift the focus away from action focused into almost purely abstract character narration and exploration. But comics don’t have to be one or the other, “The Dark Knight Returns” by Frank Miller serves as a combination of the two extreme...