Skip to main content

Week 7- Maus

"The Jews are undoubtably a race, but they are not human." These chilling, horrifying words quoted by Adolph Hitler start off our retelling of WW2, perfectly introducing us into the world of death and misguided slaughter depicted further in. Many could initially confuse "Maus" with a children's story variant of the Jewish genocide during the Second World War; but the themes explored are just as adult as any other version. Based off of the real life experiences of one, Vladek Spiegelman and his son, the story shows life mostly outside of the infamous concentration camps but instead the hardships of a Nazi-controlled city. We see a relatively peaceful existence be taken over completely by the oppressive Nazi regime, as trigger happy brutes are given any excuse they want to imprison, enslave, torture and kill anyone with a jewish star. While perhaps not as graphically depicted in its violence as other comics, this one explores the psychological torment along with the oppressive and depressing state of affairs present in the city on a daily basis. One of the most haunting events for me was when a Nazi patrolman stops one our main character demanding his identification papers, "Or else I'll shoot yer brains out!" When the character returns to his friends later on, they discuss how the man is known as "The Shooter," who finds an excuse to kill "a jew a day, just for fun." This and other depictions of cruel injustice towards the jews is sickening, and cements how even cartoonist interpretations of events can carry just as much impact as any other interpretation.

Comments

Popular posts from this blog

Analysis of Shaun Tan's, "The Arrival"

Jarod Frank Analysis of Shaun Tan’s, “The Arrival.” Shaun Tan's, “The Arrival,” is a fantastic example of conveying narrative themes and complex character interactions without the use of dialogue. Through the emphasis on gestures, body positioning, and facial expressions, we are able to “fill in” to a great degree what we imagine the characters are conveying; regardless of anything literally being said. One such fantastic example of this is when the main immigrant man is trying to find an apartment, beginning by asking another man where it could be. We see the quizzical look he local man as he looks over the immigrant, who pulls out a drawing pad and draws a bed, pointing to it. Such a natural progression of actions, reactions and continued actions are the basics of human communication, not necessarily needing words to convey an experience we all are familiar with: questioning. While the situation is mundane, the comic being able to convey this series of emotions here and n...

Week 12- Women In Comics

For this week I read the surprisingly enjoyable and approachable visual novel, "Ms. Marvel," a modern take on a modern Marvel fan. It is made obvious numerous times that this is NOT the "actual" Ms. Marvel, or even any variant of the character in previous versions, (there is a quite enjoyable sequence in the first/second comic that shows her transforming into various previous variants of the character). The bulk of the story centers around Kamala Khan, a girl with strong heritage and close family ties that feels like a freak/outsider in nearly every scenario in her life. One of her most powerful lines of dialogue probably includes, "Why does everyone get to be normal but me." While not the most original story or concept, (the storyline of someone feeling alienated, lonely, or unsure of what to do with their powers has been seen many, many times a la Superman, Spiderman, etc) its defining characteristic is the execution of these aspects...

Week 13- Reconsidering the Superhero

The reinventing of superhero has been an almost routine process throughout the past few decades, from iconic symbols of ideals to relatable "every-men" to representations of diversity to psychological explorations, the "super" hero has been put through many a test to stand as its own archetype of a character. Still closely tied to their classical variants of the characters, modern superheroes often dip into both comedy and tragedy, while including moments of action and moments of stillness/tenseness. While one exploration of the superhero, “Crisis on Infinite Earths,” might be more closely associated with the explosive, over the top fantasy of the superhero persona, the gritty “realism,” and psychopathic ideology of “Arkham Asylum,” shift the focus away from action focused into almost purely abstract character narration and exploration. But comics don’t have to be one or the other, “The Dark Knight Returns” by Frank Miller serves as a combination of the two extreme...