The point
that I found to be most profound in the work was his discussion on the human
imagination, and how it bridges the “gap” between comic panels, and in effect
interprets everything that happens over the course of a comic. The human mind’s
ability to interpret a collection of ink as a symbol of an apple or religious
institution or even the IDEA of a symbol is amazing; going far beyond basic
visual association. Taking something so relatively basic as seeing a recognizable
symbol, (which in itself already relies heavily on the user’s ability to connect
symbols to themes established) and creating a character we often project
ourselves onto becomes more fascinating the more thought you put into it! All
visual narrative is meant to provoke some sort of response, be it deep psychological
inquiry about the nature of humanity or a quick joke about a dated, modern
issue, sequential art like comics take this to extreme levels. Whether a simple
strip or hundreds of pages, comics of varying sizes, backgrounds, characters
and purposes have captured the imagination and used it as both its source of
power, and main deposit for sharing their own imaginative thinking. These
characters and ideals start out in a creation that, regardless of it being
based in reality or not, is not reality, and yet have influenced so many people
in reality it’s impossible to deny their collective effect on a person’s mind.
How many people have taken an interest in other cultures because of manga or other
international comics? How many teens remember sharing their problems with the
likes of Peter Parker as the "Spiderman," or feeling a sense of national patriotism
with "Captain America" DURING the Nazi threat? And when life was dreary, it’s
impossible to ignore the comedic relief the likes of "Archie," "Garfield,""Popeye," and so many more had on our lives to take us out of reality. Comics have, are,
and will always be just that, ways to escape reality; though many times simultaneously
influencing it heavily.
1. My initial reaction to the text I read was sadness followed by acceptance, while certainly a MUCH darker overall tone that ANY golden age Superman story, this joint collaboration by Alan Moore, Curt Swan, George Perez, and Kurt Schaffenberger, is a damn near perfect end to this "run" of the Superman story. Focusing on the dramatic end of Superman, the story throws all of his most, and a few of his lesser, memorable villains and allies at him at once, a sort of collage of the entire Alan Moore run with the character. As Batman later describes it, "like walking through fragments of a legend." This comic celebrates everything that built Superman, from his allies and backstory, to his bitter enemies and emotional struggles; it ties up and ends practically every loose end previously left open in previous issues of the Superman story, while also providing one massive, yet satisfying cliffhanger at the story's end. 2. I grew up loosely following various versions ...
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